The Instant Expert's Guide to Howard Hawks

Cinema Paladiso invites thousands of movies, but does not always hold points. The Instant EXPERT series introduces the great film director that appears on the screen and provides reference information. The center of attention is Howard Hawks, he is a connoisseur in all genres, one of its genres. I succeeded in contributing to the minimum number of times.

Howard Hawks did not take a lot of sincere masterpieces. But he took a wonderful work in a wide range of genres, which personally contributed to his outstanding work. Hawks basically knew that "good movies have three good scenes, and there is no bad scene." I was a person. " As a result, he would not have received a legitimate evaluation: Leonard Martin called him a "great South American director".

This alienation can be explained from the fact that Hawks had refused transactions with Hollywood. Most of his own careers, he worked as an independent coach and signed a contract with the studio before the first and limited plans were over. Hawkers often acted as a personal producer and participated in most of the scriptwrites, and valued the same independence as other coaches. In addition, he thoroughly abandoned the devil, which is a characteristic of South American films in the early 20th century.

Instead of focusing on a classic family bunch, Hawks liked the small group of men working with the sense of technology and friendship. He also avoided Christian sentiment, ethnic myth, political arrogance, and dingystick flags. < SPAN> Cinema Paladiso invites thousands of movies, but not every time. The Instant EXPERT series introduces the great film director that appears on the screen and provides reference information. The center of attention is Howard Hawks, he is a connoisseur in all genres, one of its genres. I succeeded in contributing to the minimum number of times.

Howard Hawks did not take a lot of sincere masterpieces. But he took a wonderful work in a wide range of genres, which personally contributed to his outstanding work. Hawks basically knew that "good movies have three good scenes, and there is no bad scene." I was a person. " As a result, he would not have received a legitimate evaluation: Leonard Martin called him a "great South American director".

Born With a Silver Spoon

This alienation can be explained from the fact that Hawks had refused transactions with Hollywood. Most of his own careers, he worked as an independent coach and signed a contract with the studio before the first and limited plans were over. Hawkers often acted as a personal producer and participated in most of the scriptwrites, and valued the same independence as other coaches. In addition, he thoroughly abandoned the devil, which is a characteristic of South American films in the early 20th century.

Instead of focusing on a classic family bunch, Hawks liked the small group of men working with the sense of technology and friendship. He also avoided Christian sentiment, ethnic myth, political arrogance, and dingystick flags. Cinema Paladiso invites thousands of movies, but does not always hold points. The Instant EXPERT series introduces the great film director that appears on the screen and provides reference information. The center of attention is Howard Hawks, he is a connoisseur in all genres, one of its genres. I succeeded in contributing to the minimum number of times.

Howard Hawks did not take a lot of sincere masterpieces. But he took a wonderful work in a wide range of genres, which personally contributed to his outstanding work. Hawks basically knew that "good movies have three good scenes, and there is no bad scene." I was a person. " As a result, he would not have received a legitimate evaluation: Leonard Martin called him a "great South American director".

A Silent Apprenticeship

This alienation can be explained from the fact that Hawks had refused transactions with Hollywood. Most of his own careers, he worked as an independent coach and signed a contract with the studio before the first and limited plans were over. Hawkers often acted as a personal producer and participated in most of the scriptwrites, and valued the same independence as other coaches. In addition, he thoroughly abandoned the devil, which is a characteristic of South American films in the early 20th century.

Instead of focusing on a classic family bunch, Hawks liked the small group of men working with the sense of technology and friendship. He also avoided Christian sentiment, ethnic myth, political arrogance, and dingystick flags.

Perhaps because of that, he was nominated for the Academy Award for Best Director only once, and because of that, "York Sergeant" lost to John Ford's "How Green Waz My Valley" (both in 1941). 。 As a result, for example, in Japan, Hawks works are not sufficiently introduced on disks. He worked in one studio for a long time, so he did not become widely known, and his work was sometimes revivaled by the major label supported by a major label. Two years before his death, he was awarded the honorary award from the Academy. However, his life is underestimated, and most of the books deserve the book "Trip in South American Films to Martin Scorsese" (1995). However, some agree that Jea n-Luc Godard has described Hawks as the "greatest artist in South America."

On May 30, 1896, the five eldest son Howard Winchester Hawks was in Gachen, Indiana. The founder Frank succeeded in the paperwork, and his mother, Helen, was a large company's daughter. In 1906, the family moved to Pasadena, California, and six years later moved to the suburban large city, Grendra. Hawks went to Citrus Union High School and was first trained in a regional bur n-standing group.

At the age of 17, Hawks enrolled in a unique Philips Exchange Academy in New Hampshire and became a regular in the Boston theater. Returning to the western part, he won the U. S. Junior Tennis Championship in 1914 and entered the Cornell Institute Department of Mechanical Engineering. In addition, Hawks started a car race during the secon d-year summer vacation, and his maternal grandfather bought a sports car. During a race, Hawks later collided with Hollywood photographer, Victor Fleming, who later directed the movie "The Wizard of Oz" and "Red with the Wind" (1939). < SPAN> For that reason, only once was nominated for the Academy Award for Best Director, and because of that, "York Sergeant" was John Ford's "How Green Waz My Valley" (both 1941). I lost. As a result, for example, in Japan, Hawks works are not sufficiently introduced on disks. He worked in one studio for a long time, so he did not become widely known, and his work was sometimes revivaled by the major label supported by a major label. Two years before his death, he was awarded the honorary award from the Academy. However, his life is underestimated, and most of the books deserve the book "Trip in South American Films to Martin Scorsese" (1995). However, some agree that Jea n-Luc Godard has described Hawks as the "greatest artist in South America."

On May 30, 1896, the five eldest son Howard Winchester Hawks was in Gachen, Indiana. The founder Frank succeeded in the paperwork, and his mother, Helen, was a large company's daughter. In 1906, the family moved to Pasadena, California, and six years later moved to the suburban large city, Grendra. Hawks went to Citrus Union High School and was first trained in a regional bur n-standing group.

At the age of 17, Hawks enrolled in a unique Philips Exchange Academy in New Hampshire and became a regular in the Boston theater. Returning to the western part, he won the U. S. Junior Tennis Championship in 1914 and entered the Cornell Institute Department of Mechanical Engineering. In addition, Hawks started a car race during the secon d-year summer vacation, and his maternal grandfather bought a sports car. During a race, Hawks later collided with Hollywood photographer, Victor Fleming, who later directed the movie "The Wizard of Oz" and "Red with the Wind" (1939). Perhaps because of that, he was nominated for the Academy Award for Best Director only once, and because of that, "York Sergeant" lost to John Ford's "How Green Waz My Valley" (both in 1941). 。 As a result, for example, in Japan, Hawks works are not sufficiently introduced on disks. He worked in one studio for a long time, so he did not become widely known, and his work was sometimes revivaled by the major label supported by a major label. Two years before his death, he was awarded the honorary award from the Academy. However, his life is underestimated, and most of the books deserve the book "Trip in South American Films to Martin Scorsese" (1995). However, some agree that Jea n-Luc Godard has described Hawks as the "greatest artist in South America."

It's a Man's World

On May 30, 1896, the five eldest son Howard Winchester Hawks was in Gachen, Indiana. The founder Frank succeeded in the paperwork, and his mother, Helen, was a large company's daughter. In 1906, the family moved to Pasadena, California, and six years later moved to the suburban large city, Grendra. Hawks went to Citrus Union High School and was first trained in a regional bur n-standing group.

At the age of 17, Hawks enrolled in a unique Philips Exchange Academy in New Hampshire and became a regular in the Boston theater. Returning to the western part, he won the U. S. Junior Tennis Championship in 1914 and entered the Cornell Institute Department of Mechanical Engineering. In addition, Hawks started a car race during the secon d-year summer vacation, and his maternal grandfather bought a sports car. During a race, Hawks later collided with Hollywood photographer, Victor Fleming, who later directed the movie "The Wizard of Oz" and "Red with the Wind" (1939).

Fleming applied for Hawks in Douglas Fallbenz's comedy, "From the house, from the house" (1916), which requires his carpenter technology, for example, how short the necessary landscapes. Did you make it? Hawks is still working in Cecil B. Demil's "Small American", and when Marshal Nylan's pain hurt, Mary Pickford in the movie "Little Princess" (both 1917). Was the management of. However, Hawks volunteered to the U. S. forces when the state declared a war with Kaiser Germany in April 1917. Hawks paid excessively attention to the desire to participate in military acts and caused a considerable incident as an flight instructor at all kinds of internal bases. For example, it also includes that the degree was awarded in 1918 due to absence, so that the academic work was not completed.

Hawks returned to Hollywood in the Lieutenant class, with the help of Nylan and Pickford for "Amari of Yokocho" (1917). For example, Jack L. Warner managed to provide the necessary funds so that Hawks could fit the Italian humanitarian Monty Banks in an important role, so he managed to provide the necessary funds. Because he was from. Eventually, he moved to the United Kingdom and filmed the movie "Why are the sailors returning home" (1930) in the movie "Queen of Heart" (1936) featuring Leslie Fuller and his wife Glacie Fields. Banks also plays the role of Jane Holox and Tom Holocks in Bay Pick Brian Persivar's "Grace" (2009)! (2009).

Dizzy Dames and Femmes Fatales

Hawks, a wonderful person who created a personal legend, argued that he was actually a director of the Banks short range. But whatever his true role, they licked his appetite. In 1920, he established a related production company with the u p-an d-coming talent and power of Nylan, Alain Dobon and Allen Holber, and the clan gave him a large amount of capital. In the three years on the right, the company released 14 films, and Hawkers enjoyed the assistant value. However, Dorwan has established his name, and it was appointed for Douglas Fairbenz's Robin Hood (1922) and Iron Mask (1929), and his subsequent careers lasted until the 1960s.

As junior partner, Hawks and his brother Kenneth lived in a rented house with other aspiring directors, including Victor Fleming, Jack Conway, A. Edward Sutherland, and brothers Richard and Arthur Rosson. The latter's cameraman's brother, Harold, would later marry Jean Harlow and shoot such timeless classics as On the Town (1949) and Singin' in the Rain (1952), with Gene Kelly and Stanley Donen. Their subordinates included Irving G. Thalberg, who had gained fame as a "child prodigy" at Universal before becoming vice president of production at MGM, where he continued to feud with the freewheeling actor-director Erich Paul Stroheim, cutting his career short. He adapted Frank Norris' 1899 novel McTeigue into the 18-episode film Greed (1924). Thalberg knew Hawks's love of books and recommended him to Famous Players-Lasky as an editor in their short story division, where he adapted works by authors as diverse as Joseph Conrad, Jack London, and Zane Grey. He also gained the skills necessary to work in an editing studio, with his first film role as story editor on George Melford's film Tiger Love (1924). Despite Thalberg's pursuit of him, Hawks felt uncomfortable at MGM, so he backed out of his contract and signed with Fox Pictures. Producer Saul Wurtzel gave him a role in the film All That Goes to Glory (1926), a now-lost silent film reconstructed by Hawks on a 1936 talk show. The film, which depicts life in a French detachment on the Western Front, features important roles for Frederic March, Warner Baxter, and Lionel Barrymore and is available to rent at Cinema Paradiso. Hawks quickly demonstrated his versatility, following his 1926 comedy The Fig Leaf with The Price of Love (1927), a status-swap tale that borrowed camera movements and expressionist lighting from F. W. Murnau's The Last Laugh (1924). This was followed by the forgotten duets The Cradle Robber (1927) and Fazil (1928), but Hawks soon became disillusioned when Fox's offices delayed the release of his films.

He later became Talberg's chewrine in his wife, the sister of the universally recognized term shire, a tulberg chewrine, and he actually included the right to be more faithful. However, Urzel said that "Port Girl" (1928) was told by Urzel that "the worst of Fox has recently taken." In fact, this work became a turning point, and Hawks not only made the characters a bright nickname (spikes and saliams were played by Victor McLagren and Robert Armstrong), but G. V. Pubustusto. Louise Brooks, who takes him to Germany for "Pandora no Box" (1928) and "Diary of the Emergency Girl" (1929), married an old Hawks, according to the house of Eddie Suthaland. The size was improved by starring).

However, Hawks, who is particular about adding dialogue to the current silent aircraft movie "Air Circus" (1928), will r e-film the "Trent's Last Work" (1929). I decided (1929). I didn't like Rimon Griffith's characteristic sille voice (the result of gas attacks by soldiers). The EC Bentley's film, which was released only in the UK, was lost by Herbert Wilcox by the 1952 remake version of Michael Wilding, Margaret Rokwood and Orson Wells. In fact, Hawks was ashamed of the data and did not leave any songs in the early 1970s and resumed. However, the technology taught him an irreplaceable job, and for 40 years he was particular about signing a sudden contract in a short time.

Hawks, who decided to lend his niche as an independent director in the studio system, is actually igniting the fact that he knows what else to remove from the movie. did. Hawks did not doubt that William Wermann's movie Tsubasa (1927) won the 1st Academy Award for Best Award, and Hawks believed that Patrol (1930) would find his own audience. His conclusion that he invites pilots and technicians from the lon g-lighter coat without Hebs Huard Hughes (1930) is the birth of Martin Scorsese's film Aviator (2004). , Both Hawks were brought to the trial. According to dramatic fate, they came out of this company, and Hawks were brave when John-Monk-Zonders won the Oscar for the best plot. Directors who have taken the exterior can regain the copyright.

This work was published by Warner Brothers, but Hawks was resentful of the intimidation of Studio's director Hull B. Wallis, and produced the prison drama "Criminal Code" (1931) starring Walter Houston and Boris Carlov. I arranged to transfer to Colombia for. Hawks persuaded Hughes to c o-manufacture the crime drama "Scarface" (1932), which was inspired by Al Capone's success in 1929 novels. Hawks and former criminal reporters, Ben Hitt, showed Tony Camonte (Paul Muni) as a worker to concentrate on his job, as a machine gun. On the other hand, Brian de Palma is a shocking remake version of Hawks and Hect in 1983, and has no means of mental illness in order to realize American Dream, which is played by Al Pachino. Tailored to refugees.

While Hughes is fighting with the Production Code Management Bureau over the treatment of the film crime and violence, Hawks returned to Warner and produced "The crowd roars" and "Tiger Shark" (both in 1932). This work, starring James Cagney and Edward G. Robinson, focuses on the Indianapolis 500 and tuna fishing, and has the reputation of Hawks as a writer of a dark story depicting the bond between the working men and their colleagues. I raised it. "TODAY WE LIVE" (1933), which made William Folkner's short novel "THE TURNING", had a highest priority on dedicated posture, and three of the three inheritance, Joan Crawford (Gary). ・ Cooper, Franco Tone, Robert Young) contribute to the war. < SPAN> This work was released by Warner Brothers, but Hawks was resentful of the intimidation of Studio's director Hal B. Wallis, and Walter Houston and Boris Karlov starring "Criminal Code" (1931 (1931) ) We arranged to transfer to Colombia for the production of). Hawks persuaded Hughes to c o-manufacture the crime drama "Scarface" (1932), which was inspired by Al Capone's success in 1929 novels. Hawks and former criminal reporters, Ben Hitt, showed Tony Camonte (Paul Muni) as a worker to concentrate on his job, as a machine gun. On the other hand, Brian de Palma is a shocking remake version of Hawks and Hect in 1983, and has no means of mental illness in order to realize American Dream, which is played by Al Pachino. Tailored to refugees.

Jack of All Trades

While Hughes is fighting with the Production Code Management Bureau over the treatment of the film crime and violence, Hawks returned to Warner and produced "The crowd roars" and "Tiger Shark" (both in 1932). This work, starring James Cagney and Edward G. Robinson, focuses on the Indianapolis 500 and tuna fishing, and has the reputation of Hawks as a writer of a dark story depicting the bond between the working men and their colleagues. I raised it. "TODAY WE LIVE" (1933), which made William Folkner's short novel "THE TURNING", had a highest priority on dedicated posture, and three of the three inheritance, Joan Crawford (Gary). ・ Cooper, Franco Tone, Robert Young) contribute to the war. This work was published by Warner Brothers, but Hawks was resentful of the intimidation of Studio's director Hull B. Wallis, and produced the prison drama "Criminal Code" (1931) starring Walter Houston and Boris Carlov. I arranged to transfer to Colombia for. Hawks persuaded Hughes to c o-manufacture the crime drama "Scarface" (1932), which was inspired by Al Capone's success in 1929 novels. Hawks and former criminal reporters, Ben Hitt, showed Tony Camonte (Paul Muni) as a worker to concentrate on his job, as a machine gun. On the other hand, Brian de Palma is a shocking remake version of Hawks and Hect in 1983, and has no means of mental illness in order to realize American Dream, which is played by Al Pachino. Tailored to refugees.

While Hughes is fighting with the Production Code Management Bureau over the treatment of the film crime and violence, Hawks returned to Warner and produced "The crowd roars" and "Tiger Shark" (both in 1932). This work, starring James Cagney and Edward G. Robinson, focuses on the Indianapolis 500 and tuna fishing, and has the reputation of Hawks as a writer of a dark story depicting the bond between the working men and their colleagues. I raised it. "TODAY WE LIVE" (1933), which made William Folkner's short novel "THE TURNING", had a highest priority on dedicated posture, and three of the three inheritance, Joan Crawford (Gary). ・ Cooper, Franco Tone, Robert Young) contribute to the war.

This was Hawks' first film under contract with MGM. However, he didn't like Thalberg's work, and W. S. Van Dyke and Jack Coney had to complete Weird and Ready (1933) and Viva Villa! (1934) after Hawks left. William Wyler also had to shoot the lumberjack drama Come and Get It (1936), after Hawks had a falling out with independent producer Samuel Goldwyn, leaving Barbary Coast (1935). The film, written by Ben Kechta and Charles Macantour, stars Edward G. Robinson as a San Francisco saloon owner who decides to hit the roulette wheel with Joel McCrea and Miriam Hopkins in a treasure trove of California golden-beards. Mary Ratway, affectionately known as "Swann", is Hawks' toughest woman today, but Hawks began to gain popularity after reuniting with James Cagn in the film The Sentence of Zero (1936).

The attention was always on Frank Capra's It Happened One Night, which became the first film to win five "Big Five" awards, but it was Howard Hawks' The Twentieth Century (both 1934) that laid the foundation for what became known as the "screwball comedy". There had been sex fights before, notably Ernst Ljubic's Trouble in Paradise (1932), but it lacked the fighting jelly that characterizes the dueling exchanges between John Barrymore and Carole Lombard in Ben Hecht and Charles Machaut-Tur's cheeky script.

Dadley Nichols and Hagar Wild were later rejected by the heirs, Catherine Hepban, covered in the desire, in "BRINGING UP BABY" (1938), which was later remade by Peter Bogdano Bitch. I got rid of the bad news between Kelly Grant. Barbra Streisand and Ryan O'Neill are Madeline Khan's many years of suffering, Grant and Hepburn, for example, asta in W. Van Daik's movie The Thin Man (1934). Mr. Luis Milstone (1931) and Billy Wilder (1931) and Billy Wilder (1931) and Billy Wilder (1931) of Leo McCally's "The Awful Truth" (1937), who has already taken the role of Fox Terrier's skippy and fuck ball tradition. The same is true for Hawks' films, Hiz Woman Friday (1940), r e-edited by Charles Reder, a movie of Hect and MacArthur (1928), which was turned into a movie, and MacArthur play. In this version, top reporter Hildi Johnson dressed as Rosalind Russell and presented a costume party to the editor, Cary Grant.

Gene Arthur also established his position as a team member in "Angel has wings" (1939). In this work, a unique consideration of the bonds of men who permanently a stereotype in occupation, Arthur, a show girl, transports Cary Grant's Andes Mountains from the American village Balanca. Compete with Rita Haywater over the ambitious habits. Hawks returned to the sky in an air force movie reminiscent of the Japanese army's attack on December 7, 1941, and described a war in the North Atlantic (both in 1943). ・ I was able to cooperate with Roson.

Hawks continued to produce the film Sergeant York, one of the two c o-stars with Gary Cooper in 1941. He has won the Academy Award for the Academy Award for the Academy Award for the Academy Award for the Academy Award for Academy Award for Academy Award. After that, Hawks welcomed Danny Kay and Virginia Mei Yo in 1948 and remade with technical colors as "A Song IS Born", and the escaped show girl, Barbara Stan, is escaping. In the role of a dictionary that houses his wick, he demonstrated his underestimated laughing talent.