Tim Worthington which 3 clown monty knows best.

Tim Worthington

Writer. Occasional Broadcaster. TV's 'Clangers Expert'.

The Best Pictures Are In The Radio (Times)

Recently, every time I get a phone call, even though the huge tools for finding information are flooding, even if most of them are only used to make a mee, something in the past is something. If you want to know something about something, it's really hard to feel a little dus t-covered documents and the times when you have to dig up every corner of the insufficient catalog. If you need information about the movie "Funeral in Berlin", you may go to a local library and appear in the Holewell movie guide, probably in the "EMPIRE" shabby. The only thing that Michael Kane can talk about him in my autobiography is that I only starring and recognized that it is the only movie "Berlin Funeral" that was screened for the audience in a movie theater. Not. Radio 2 documentary programs and newspaper articles on Helen Dayton have cited old criticisms casually, but that's usually the case, but that's usually the case. Even in today's flooding, it is not easier to dig further into the topic that I wrote in connection with the Castle Street Madness Hall (BBC's long forgotten work).

At that time when I was forgotten, this loving review, which spelled out my heartfelt concerns, especially about the invention I was still grinning, was originally written for my previous website. Must accept. The enlarged version, which answered most of the questions thrown in this book, was later compiled in a book called "Can't Help Thinking About Me". This book can be purchased here or on the Kindle store with a soft cover. Click here to save. If you want to know more about the TV series mentioned in this book, here is the first episode of "Camberwick Green", here is the hardwick house special issue of "LOOKS Unfamilia", and here is "Rubovia". You can see it. < SPAN> Recently, every time I get a phone call, even though the huge number of tools for searching for information are flooding, even if most of them are only used to create a myys, the past. If you want to know something about something, it's really hard to feel a little dus t-covered documents and the times when you have to dig up every corner of the insufficient catalog. If you need information about the movie "Funeral in Berlin", you may go to a local library and appear in the Holewell movie guide, probably in the "EMPIRE" shabby. The only thing that Michael Kane can talk about him in my autobiography is that I only starring and recognized that it is the only movie "Berlin Funeral" that was screened for the audience in a movie theater. Not. Radio 2 documentary programs and newspaper articles on Helen Dayton have cited old criticisms casually, but that's usually the case, but that's usually the case. Even in today's flooding, it is not easier to dig further into the topic that I wrote in connection with the Castle Street Madness Hall (BBC's long forgotten work).

At that time when I was forgotten, this loving review, which spelled out my heartfelt concerns, especially about the invention I was still grinning, was originally written for my previous website. Must accept. The enlarged version, which answered most of the questions thrown in this book, was later compiled in a book called "Can't Help Thinking About Me". This book can be purchased here or on the Kindle store with a soft cover. Click here to save. If you want to know more about the TV series mentioned in this book, here is the first episode of "Camberwick Green", here is the hardwick house special issue of "LOOKS Unfamilia", and here is "Rubovia". You can see it. Recently, every time I get a phone call, even though the huge tools for finding information are flooding, even if most of them are only used to make a mee, something in the past is something. If you want to know something about something, it's really hard to feel a little dus t-covered documents and the times when you have to dig up every corner of the insufficient catalog. If you need information about the movie "Funeral in Berlin", you may go to a local library and appear in the Holewell movie guide, probably in the "EMPIRE" shabby. The only thing that Michael Kane can talk about him in my autobiography is that I only starring and recognized that it is the only movie "Berlin Funeral" that was screened for the audience in a movie theater. Not. Radio 2 documentary programs and newspaper articles on Helen Dayton have cited old criticisms casually, but that's usually the case, but that's usually the case. Even in today's flooding, it is not easier to dig further into the topic that I wrote in connection with the Castle Street Madness Hall (BBC's long forgotten work).

The closest evolution system of the IMDB book was called the "creed from space" for SF mania in variety magazines, and almost all pages were strictly produced at high levels, such as filling with letters. The absolute and unthinkable exotic research was to access the latest radio broadcast time and television broadcast time. It is absolutely, no doubtful, or in a certain form of what is broadcast on the radio or television, who appeared, who appeared, and when they were broadcast. Of course, if you want to know about UFO project programs for strange reasons, you can find it there.

In the end, by chance, I succeeded in finding a collection of woven volume in a venerable library in the center of the city. They later restricted access to enthusiastic researchers who were ready to sign the official form, and then the employees disappeared mysteriously, and the world's very stiff cart. While I came back with the necessary copies that occupy, I waited for 20 minutes, but after that they were just lying on the shelf, and actually used lists of television programs and radio programs from 1962 to the present. I was able to do it. Unfortunately, this is that some kind of bars have already looked at all pages, pulling them with the doctor's name, or gently pulling them out with a knife, all of them, all of them. It meant that the page was damaged, but the truth was only a small nuisance. This book was much more interesting than the Doctor Foo's material, which was much more interesting, and I was looking for it. Magazines had much more "TV-Times" than "TV-Times". That's because Doctor Foo was a radio era. But you can understand the general way of thinking. < SPAN> The closest evolution system of the IMDB book is called the "creed from the universe" for SF mania in variety magazines, and almost all pages are strictly produced at high levels that are filled with letters. At that time, the Holy Grail, an absolute and unthinkable exotic research, was to access the latest radio broadcast time and television broadcast time. It is absolutely, no doubtful, or in a certain form of what is broadcast on the radio or television, who appeared, who appeared, and when they were broadcast. Of course, if you want to know about UFO project programs for strange reasons, you can find it there.

In the end, by chance, I succeeded in finding a collection of woven volume in a venerable library in the center of the city. They later restricted access to enthusiastic researchers who were ready to sign the official form, and then the employees disappeared mysteriously, and the world's very stiff cart. While I came back with the necessary copies that occupy, I waited for 20 minutes, but after that they were just lying on the shelf, and actually used lists of television programs and radio programs from 1962 to the present. I was able to do it. Unfortunately, this is that some kind of bars have already looked at all pages, pulling them with the doctor's name, or gently pulling them out with a knife, all of them, all of them. It meant that the page was damaged, but the truth was only a small nuisance. This book was much more interesting than the Doctor Foo's material, which was much more interesting, and I was looking for it. Magazines had much more "TV-Times" than "TV-Times". That's because Doctor Foo was a radio era. But you can understand the general way of thinking. The closest evolution system of the IMDB book was called the "creed from space" for SF mania in variety magazines, and almost all pages were strictly produced at high levels, such as filling with letters. The absolute and unthinkable exotic research was to access the latest radio broadcast time and television broadcast time. It is absolutely, unmistakable, and in a certain form of what is broadcast on the radio or television, who appeared, who appeared, and when they were broadcast. Of course, if you want to know about UFO project programs for strange reasons, you can find it there.

At one point, many long questions were noticed enough to find the answer. What was the plot of an episode without a description of hardwick house? Did Channel 4 really broadcast a documentary film using video nasty clips? Is it true that Monty Pighton Flying Circus was not rebroadcast until 1986? Did the TV Times really use a rare "genre" rarity icon on your own program guide? Did the abandoned problem that there was no news at 9 o'clock led to the schedule? Was Renny Henry really Radio 1 DJ? And how is this actually mentioned in some places in Billy-Lzets at once? Am I accurately suggested Lvovia for myself? And what is the cautious and healthy name of all things that gave yourself Bagdad Fops? All of these and almost all other problems will soon find their sudden solution.

Buy A Book!

In 1985, Cumbervik Green was quietly removed from the BBC--1966's his own debut. This program, which was entrusted to an archive regiment in an era without a catalyst, as well as other television and radio programs (including movies), has already remained culturally immortal. There is. Of course, to confirm such a thing, it was not necessary to find out what he was, but the show itself was already unbearable, distant, deep in the subconscious, and driving a path of memories. The song, and we have no doubt that the clown is actually in the opening and ending credit (I still read a lot about alarms), but the painful reception of You've Actual Never Been It looked. Kambervik Green was once a part of the cultural background had not been changed, but it was difficult to retreat to a huge box engraved with the "past". Just a recent absence of the past is that I urged me to find his first program. < SPAN> At one point, many long questions were noticed enough to find the answer. What was the plot of an episode without a description of hardwick house? Did Channel 4 really broadcast a documentary film using video nasty clips? Is it true that Monty Pighton Flying Circus was not rebroadcast until 1986? Did the TV Times really use a rare "genre" rarity icon on your own program guide? Did the abandoned problem that there was no news at 9 o'clock led to the schedule? Was Renny Henry really Radio 1 DJ? And how is this actually mentioned in some places in Billy-Lzets at once? Am I accurately suggested Lvovia for myself? And what is the cautious and healthy name of all things that gave yourself Bagdad Fops? All of these and almost all other problems will soon find their sudden solution.

In 1985, Cumbervik Green was quietly removed from the BBC--1966's his own debut. This program, which was entrusted to an archive regiment in an era without a catalyst, as well as other television and radio programs (including movies), has already remained culturally immortal. There is. Of course, to confirm such a thing, it was not necessary to find out what he was, but the show itself was already unbearable, distant, deep in the subconscious, and driving a path of memories. The song, and we have no doubt that the clown is actually in the opening and ending credit (I still read a lot about alarms), but the painful reception of You've Actual Never Been It looked. Kambervik Green was once a part of the cultural background had not been changed, but it was difficult to retreat to a huge box engraved with the "past". Just a recent absence of the past is that I urged me to find his first program. At one point, many long questions were noticed enough to find the answer. What was the plot of an episode without description of hardwick house? Did Channel 4 really broadcast a documentary film using video nasty clips? Is it true that Monty Pighton Flying Circus was not rebroadcast until 1986? Did the TV Times really use a rare "genre" rarity icon on your own program guide? Did the abandoned problem that there was no news at 9 o'clock led to the schedule? Was Lenny Henry really a Radio DJ? And how is this actually mentioned in some places in Billy-Lzets at once? Am I accurately suggested Lvovia for myself? And what is the cautious and healthy name of all things that gave yourself Bagdad Fops? All of these and almost all other problems will soon find their sudden solution.

Further Listening

In 1966, a new large TV program started almost unimaginably. One of the most shining events on such a TV program is the 3 0-minute theater featuring Bob Monk House. On the page, Bob Monk House played the role of "direct" in the "3 0-minute Theater" and is sure to have the Emmy Awards that he won in the role of "Tomato Price"). He appeared as a guest in the episode of "Show Danny Kay" "Hugh and I"-"New Funny Adventure between Terry Scott and Hugh Lloyd". The curious documentary film "European Women", that is, has been evaluated for how to clarify employment abilities, in other words, one woman of the Lath Associatio n-Commercial. It was selected to be assigned to be assigned based on the existence of a new song on the theme, which contains an interview with the pilot. What does Ms. Dingle assume by all of these post officers?

Since then, I have examined Cumberwick Green and various geographical relationships several times, and investigated a bundle of documents that describe the subtle contract reasons for which Chigley disappeared from the schedule for several years in the late 1970s. I listened to the Denmark album "Welcome to Camberwick Green" (former Crone "Velkommen Til Grønærteby"). And about the first episode, there is still a question that I am worried about-it can be acknowledged here, but it probably was made in a few minutes for magazines. It is difficult to cancel the excitement of finding a small introduction and photos, and the magazine has the shortest expiration date, but has passed the time, but even now, the world of previously broadcasted broadcasting. Events the feeling of. At least after the rebroadcast at least 30 times, the program has long been waiting for such questions thanks to the deeply penetrating the creative skills of the later generations. A diplomat who avoiding questions frowns and basically says, "Everyone should try to be a little more like a Cumberwick Green." What we actually need to answer is that there is no problem if we are basically prepared for clowns immediately at midnight.

ClownBlog

A supplementary version of the Best Picture on the Radio (Times), which explains some of the mysteries mentioned there in more detail, "Can't Help Thinking About Me", which summarizes columns and memos in a unique way. It is published in. Can't Help Thinking About Me] is a soft cover or at the Kindle store.

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Friday 13 November 2009

Clown Research Workshop, Year 3, No. 6, 12/11/09

Also, if you are just generous, you can purchase "Can't Help Thinking About Me" here. Freshly ground lions are more delicious. Also, it is probably more or less matched with the radio Times page.

Wound Up and Ready to Play is a summary of the first episode of Camberwick Green. Click here for notes about Rubovia, and here is a note for Sitcom Billy Liar.

Regarding the lost "television, it is possible to clarify the unimaginable details in an unimaginable space, in a book" BBC2 "and a book called" Dylan Island floating in the desert ". You can find more ideas.

What actually happened in the unpleasant episode of "Hardwick House" was from this book "Strangeer Eyes with Deborah Tracy", and why I was able to justify the fact that I couldn't think of Lubvia. You can know from this book.

What is a 21st century clown? What do they do? What do you need for?

Half of this semester has passed, and we have moved from the idea of new songs to the performance of existing songs. These are not just old clown ideas. These are the actual textbooks of typical clowns in the Golden Age (around 1890-1945), recorded in a book called "Entrées Clownesques" by Tristan Remi's clown. The Remi Collection was translated into English, Spanish, German, and Italian, but the Spanish version (Mexico version) was out of print, and the English version was 48 out of 60 original Remnin books. Only the preliminated preface is recorded. I don't know why, but especially because the famous scenes of "Le Buteille", a masterpiece of five clowns, are omitted.

I have been dealing with some of these materials so far, but now it seems that it has come to catch cows with horns. We start with Wilhelm Tele, but the first question is "how do you start?" Another important question is, "three performers are faithful to their own clown while interpreting the clearly defined roles?

If you first analyze the text, I can divide this work into two parts. The first part is a kind of prologue, where actions develop, and clowns become familiar with us. Part 2 is an action consisting of tricks performed by clowns for individuals in August. In the first part, individual desires and needs, or their super items are exposed. We are talking about the theater where the actor wants to know what he wants to get off the stage.

We named Mr. Royal, the owner or director of the circus everywhere, after the famous circus family, Royalov, and used it as a common name for this person. English "Ringmeister" is not a problem. Strictly speaking, the ring Meister is located in the center of the ring and instructs a horse that jumps along the surroundings. Royal is at the entrance of the ring. Royal hopes that the audience will be satisfied with the audience.

Next comes the clown. According to the terminology of this period, what we recognize as a clown is not a clown with a red nose, but a snowy white face. The role of the clown is to exercise influence. It can be a piece of music, a hocus pocus, or indeed something to do with professionalism, imagination, or grievance. Clowns came at the beginning of the circus and took many different forms, acrobatic, musical, verbal, depending on the fashion of the time. It is a difficult question to pinpoint the reasons for their fall and fall in popularity. However, it is often possible to note these moments: circus architecture, censorship laws, struggles, recession. For example, in 1864, the French law changed, allowing circuses to perform lines.

The gaffes of the successors of the English clown became less noticeable in themselves. Today, it is possible to add comedy of history to the comedy of gestures. French clowns could recreate scenes with different characters in a language that the audience could understand. French ring comedians now had a chance to compete with English clowns (Remy 1945).

Talking clowns, also called "Shakespearean clowns" at the time, like What Matthews, were in demand in England in the 1950s, and Grimaldi's "total clown" style was then a thing of the past. But the idea that this new style of clowning was in fact less vulgar or explosive than its predecessor is dispelled by Baudelaire's description of an encounter in Paris with one of them, presumably Matthews:

The English clown came like a hurricane, collapsed like a sack, giggled, and shook the arena with his smile. Whereas Debureau dipped his fingers in milk, the English dipped both hands in milk. (Baudelaire 1855)

If England had its clowns born of the genius Grimaldi, France had its famous Debureau clowns. But the wealth of the country was destined to be a passing fad. Regarding Debureau's successor, Carpestri (c. 1860-80), Isabelle Baugé believes that this marked the beginning of the end of clowning.

His manner was vulgar and brazen. In any case, the public at the end of the 19th century categorically rejected Debureau's mystical creations, preferring a more sinister and decadent clown that evoked fear rather than comedy (Baugé 1995: 11).

In the 1970s, the acrobatic pantomime turn turned around. Remy said, sarcastic about the Hanlo n-Leasing Brothers, the biggest bearer of Puntomime, said that Pantomime was a specialist and often had no innate comedy. The Hanro n-Leasing brothers became famous thanks to their charm.

Their wonderful world emphasized the devil rather than spiritual, emphasizing the power, accuracy, illusion, props, miracles, and relentlessly reversing worlds (Remy 1945: 53-4). (Remy 1945: 53-4)

John A. McVann, their legendary writer, describes some details:

In Piero Menowasier, clown sells a coffin with a fabric. In Piero Menowasier, clown sells a coffin with a fabric. When he killed a man who refused to buy, he was chased by the ghost of the man in the coffin he was trying to sell. As the Corps approaches, the clown fires a gun, hits a pregnant cat, and rains the kitten on the scene. (McKinven 1998: 34-5)

So what were the conditions for Hanlo n-Lee to play such a reversal play? Hanlo n-Lee has a long history and debuted in London in 1847.

For more than 100 years, British Pant My Mist was known for its unusualness in France and has been respected with no clicks. Hanlo n-Lee also surprised the British masses. Powerful pressure was a feature of their works from the beginning. 1872 (quoted from Thomas Walton's "Entortilists", McKin Vern 1998: 34)

However, it suggested that their humor was responding to the trend of the pos t-Franco war, in 1876, with the excuse for the 1 3-month performance in Folly Belger. ・ It is a statement about Mi Sol de. -Prussia War

This exotic art has revealed the only smile we can prepare at any time. (Quoted from Remy 1945: 57)

Such an illegal descendant could be watched on Mac Sennet and his Keystone Cup and on the TV of Young One's. However, in this case, I was hesitant for the murderous violence of the 1970s because it was a hurricane in front of Nagi. This is because this age brings the third clown, the third, and a clown in August.

Augustus's triumph was caused by a universal public reaction to the ritualistic and inventive manner of acrobatic pantomime. His own freedom of action and spontaneity, without which he had no opportunity to play his own role, spearheaded Augustus's disobedience before the chosen and rigid medium of the circus of the Second Reich. Explained and explained, the dynamics of Hanlon-Liss and his successors are revealed. The performances in the higher circuses became authentic, and the people began to outgrow them and multiply ... (Remi 1945: 83)

Remi tries to speculate on all the legends and legends about the origin of the Augustan clown, devoting an entire chapter to "The Birth of Augustus". As a historian who tries to find as much truth as possible, Remi doubts the clown's own texts. In fact, at first the clowns considered Augustus's taste to be very bad, and only later, when Augustus had gained fame, did they claim to be the inventors. Rémy regards the clowns' own notes as extremely tasteless confirmations. Let us, for example, keep in mind the precedents.

His (Augures') surprising situation comes with James Gyon, who was seen giving the life of an augur that had been laid out by all others at the Alma Hippodrome in the late 1980s. The fact is that James Gyon finds the first circus without a more, or at least comical, augur, but is not so different from the standard that the imitator has the ability to claim the role of the original. (Rémy 1945: 64)

Despite such unexpected fun, the augur (snow-white face) that is spoken of among clowns is extremely inferior. Edouard de Pérodil, in his book Les Clowns (1889), gives a pertinent warning:

In the augures' residence in August, never make a mistake or call the clown face by its first name. Piero will see through the most trivial, vulgar, and unintellectual ignorance. But if you call him the "August Face," Piero will not only flatter you, but will also lay hands on you. (Quoted from Remy 1945: 65)

Despite being neglected, Piero has in fact somehow filled up, somehow this fresh figure has come to occupy the central space. Fatellini is thought to be the source of a legend picked up by Pierre Marielle:

One night in 1864, a British jockey working at a Circus in Berlin stumbled on the ring just putting the tool. The Binging, called Augustus, was called URBI ET ORBI because of his own abstract (because the jockey was invited). Her decline was somewhat humorous, and the fools who believed that they were due to a general drunken state, for example, "Augustus, Augustus." Augustus, Augustus. His absurd behavior and crimson beaks are enthusiastic about "August, stupid".

So what kind of clown is this ogast? He first appears as a clown wearing a streetwear, a parody of the circus.

Circus leader knew how to use the unimaginable fool of August. He gave him a special suit that had remained since then, but that is something that everyone knows.

This mediocre person is an experienced comedian, not acrobatics, and no other special skills.

The role of August can be expressed in one sentence. While the clown invites every day, the noble person reacts every day and leads in a way that is contrary to the clown's goal. Orgast's important personality is that it has never been noticed. He needs a clown, and this collaboration in the 1890s reveals the yellow eternity of the clown.

Probably, Pierantoni and Saltamontes not only meet them to perform interlude and the undercard, but also unite through team spirit and prepare for the entire repertoire according to their personal play and ideas. It must have been the first case of. (Remy 1945: 101).

Such a partnership is based on a dramatic principle based on the theatrical accomplice of an elderly couple. The first fate of freezing in this fresh format was exactly the Futtit and Chocolate.

Thanks to the most dignified] ... Traditional Entra will expand, gain a humorous sketch relationship, and take a theatrical format. "(Remy 1945: 103). (REMY 1945: 103)

Their repertoire depends on the personality of the performance, not the technology or directing. This is the beginning of the Golden Age of Circus Crown, and the dramatic possibilities of the relationship between the Crown, the actor, and the circus director will be fully pursued over the next half a century.

I finally came. Tw o-volume clown and straight 1 volume.

Elim Rim - Journalist, creative writer

Last modified 28.11.2024

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